I have a new (temporary) job at a university that has a LOT of downtime. As long as I’m at my desk, I can kind of do what I want. This was delightful for war prep, since it meant abundant time for hand-finishing or fussy small tasks I’d lay aside in favor of more time at the serger, pedal to the metal. Now that war is over, I’m doing some tentative scribal work. The kingdom coffers are low. I have time…and after nearly two years of forced wrist rest, I could REALLY use the practice. (Wrist surgery is happening this summer!) Meridies had a crown that educated the populace about the amount of work and love that go into each award – and they talked about the sizes of period manuscripts! The kingdom largely hands out smaller pieces now. This is both really cool and an adjustment, since everything has to be scaled down. Also, award texts have to have information in them to make them legally valid (dates, signatures, etc.), and this nearly doubles the amount of text. The period manuscripts with beautiful illustration and illumination often only have 3-4 lines of text. Keeping the aesthetic while doing the text all on a 5×7″ sheet of paper is a little bit challenging when you’re used to having 8×10″ or larger.
This is finishing out an example I started for my class on diapering and white work. The big shield is supposed to be left white, as the award is the Argent Shield. It’s one of the first times I’ve popped a grotesque into a blank space. As with all new things, I feel like it’s awkward. The whole piece hasn’t been highlighted yet, which always makes things look a lot better. Overall, I love this scroll. I tried a couple of more period approaches to painting that I hadn’t before, and they were easier and gave better results than what I’d done before. Calligraphy is really my thing, more than illumination. It’s a bit frustrating to see it a bit shaky and uneven after doing so much work to be able to write fluidly and evenly. And why is it leaning a bit to the left? Stupid calligraphy.
There has been a specific request for masculine and early period scrolls. I immediately thought of the many, many fart and dick jokes on manuscripts.
I may still do a fart joke scroll. But since you never know who it’s going to be for, and so many people have an AoA as the highest award they ever get, I always feel a little hinky about the only thing they hang on their wall being a butt trumpeting out part of the scroll text. WHICH IS AN AMAZING IDEA, BY THE WAY. You’re welcome. I might do it when I redo my husband’s AoA, because he would love a butt trumpeting scroll to no end. BUT. I decided to start with something early period and not girly.
This is a mashup of the Lindisfarne Gospel, with some of the decorative motifs in the R are from the Book of Kells (plus a simple braid knot). My brain has historically been averse to drawing my own knotwork. It does not compute, not even a little bit. Not with a grid or with a squid. I do not like them, Sam I Am. So for this, I figured it out without benefit of a light box and tracing. It’s tiny and a bit wonky, but I did it all by myself. The patterning of the dots and shaped coloring in of capital letters came from the Lindisfarne Gospels. I’ve had the book for ages, and only this week noticed that they use patterned red dots to do simple knots and lattice patterns. That’s much more doable for me than a Kells carpet page of doom. Still debating how to fill in the R’s empty space. It would be cool to draw in a little Celtic dude with a coronet on his head…or maybe some crazy knotwork animal?