Narrow Oseberg Band

With Gulf coming up and our local championship tournament last weekend, I wanted to find a relatively quick project that would upgrade the look and authenticity of my costuming while advancing my skills in one of the areas where I don’t spend as much time as I’d like. Enter: tablet weaving an authentic Norse pattern! Something for me that wasn’t hard on my wrist? Check. A way to get back in the weaving saddle? Check that too. I started digging around in textile research and decided to go with something from the Oseberg ship burial. This particular find is chock full of weaving, both decorative and functional, as well as textiles, tapestries, imported silks, and some of the few examples of embroidery associated with the Viking world. You should most definitely check it out if you’re not familiar with it. My documentation is here, should you like to read a little bit about the burial.

Schmales OsebergbandI made a narrow band (12L 1 is the specific designation) that is part of a “cake” of textiles that are stuck together. It was 0.5 cm across and made of silk with a contrasting plant fiber (linen) that has rotted away, leaving only the silk. The band has a pattern that I’ve seen described as serpentine, and it rather reminds me of Greek key. I used the excellent chart and instructions from Shelagh Lewins to make my band. This is a particularly good resource, as she was able to visit the Viking Ship Museum in Oslo and have first-hand inspection access to a couple of the woven bands, through a professor. Her site also¬†has an excellent array of Dark Ages patterns which are sorted by authenticity level and ease.

Tablet weaving is something I can sort of do. My weaving is pretty even, and I enjoy doing it. But. I don’t have a weaver’s brain. I can’t read patterns well or read what I’m doing to find mistakes and correct them very easily if something gets off. My husband – who is not crafty in the least – can look over and immediately see what’s wrong and why. I’m trying to embrace the idea of having a proofreader instead of being grumpy that I’m not good at something I’d like to be good at. I’ve been overly reliant on patterns that can be done on a modern tablet loom with pegs via the continuous warping method. It’s wonderfully convenient, but it restricts the weaving to patterns that aren’t authentic replications of the patterns used. I’m one of those who strives to be ever more authentic in my portrayal, and taking a couple of hours to flub my way through warping my loom isn’t too terrible – particularly since I learned ways to do it much more quickly next time. And next time I weave, it will be with authentic materials and not Aunt Lydia’s #10 crochet cotton. And I think it will be a missed hole band from Mammen or maybe Birka where the tablets aren’t all turned together…


This pattern, while simple, taught me some skills I had not learned on other weaving projects, such as flipping the twist of the cards over a few turns so that you can keep turning them forward while reversing the twist instead of having to reverse the whole pattern. This is a fantastic trick! My loom is small, though, so I would up having to do this more frequently than I would like. My flips are roughly every 10″, which would be ok if they were really smooth and therefore less noticeable. This is my first time with that technique, so it took a while for them to improve. The spots where the flips take place are better, but not consistently so. See the difference in the early ones and late ones? I’m still not totally sure if I should flip cards then pass the shuttle of weft thread or pass and then flip. Either way, I still have some crazy floating threads over on the sides…